Afshan Daneshvar B&W.jpg



Afshan Daneshvar (geb. 1972 in Teheran) ist eine in San Francisco lebende bildende Künstlerin.

Afshans meditative Arbeiten sind von Siah-mashgh, persischen kalligrafischen Übungsblättern, inspiriert - eine Kunst in der sie ihr Vater unterrichtete. Wörter und Buchstaben werden ohne Rücksicht auf ihre Bedeutung wiederholt, um Perfektion zu erreichen. Seit 2015 erforscht sie das Medium Papier.
In Afshans Arbeiten gibt es einen direkten Dialog zwischen Inhalt und Form. Wiederholung ist die Essenz ihrer Werke, und durch Wiederholung verbindet sie Vergangenheit und Zukunft. Die Gegenwart wird ständig in den Vordergrund gebracht.
Sie hat an zahlreichen Ausstellungen in Europa und im Nahen Osten teilgenommen und wird derzeit von der O Gallery in Teheran vertreten.



Goekhan Erdogan was born in Frankfurt am Main Höchst in 1978 as the son of Turkish immigrants and grew up in simple working-class conditions. After several attempts, he completed his art studies with an academy diploma at the HFBK Frankfurt am Main in 2008, obtained a diploma with distinction at the HFG Offenbach in 2012, where he deepened his engagement with media-sociological post-structural texts in a postgraduate course in 2014.

Since 2009, he has been regularly represented in exhibitions at home and abroad, e.g. in 2009 at the then Berlin-based Galerie Feinkost with Dorothee Iannone, Mike Kelley, among others, or in 2012 in Bergamo at the Galerie Thomas Brambilla, whose programme includes the historical artist Lynda Benglis, Klaus Rinke and the Kandinsky Prize winner Anatoly Osmolowsky.

Recently, he has taken part more consistently in exhibitions in art associations and museums. The latter are often occupied with sculptural self-portraits made of paper, which negotiate the dissolving identity of metropolitan individuals in the form of photo objects, paper reliefs or photo sculpture.

Erdogan is currently represented by the Heike Strelow Gallery in Frankfurt am Main.

Aja_040920_16 B&W.jpg



Aja von Loeper (born 1971 in Leonberg-Warmbronn ) studied fine art painting at the Academy of Fine Arts Nuremberg. She has been represented in numerous solo and group exhibitions at museums and galleries in Europe and Asia, including Haus der Kunst Munich, Albrecht Dürer Haus Nuremberg, Stadtmuseum Erlangen, Museum Rijkswijk (NL) and Fengxian Museum Shanghai (CN). Aja von Loeper has received several prizes and awards. She is represented by Galerie Wichtendahl in Berlin, among others.

Aja von Loeper needs a white sheet of paper, flat cardboard underneath and a wooden tool she has developed to create her relief-like "White Sheets". She works on the paper with great force and sensitivity, compressing it with her tool until it curves, partially revealing its structures and revealing the inner, radiant white of the paper. The sheet becomes a relief with an intangible plasticity. The different textures form delicate shades of chiaroscuro in dialogue with the light. Aja von Loeper's "White Sheets" appear quiet and fragile, at the same time weighty and powerful.



Lisa Tiemann (*1981 in Kassel) is a sculptor based in Berlin. Her sculptural works stretch themselves, they bend and arch, and interact – with their surroundings, with the beholders, and with each other. In the series COUPLES that Lisa Tiemann has been developing since 2016 she engages with the tension between two elements of different materiality and explores the limits of material properties, stability, and gravity. This subject is the focus of her artistic practice. She questions our understanding of connection as fractures, gaps, and shifts are fundamental elements of her understanding of unity. Tiemann’s sculptures are developed from a drawn gesture: a simple line that develops through several preliminary studies and in the end is translated from paper into space. She earned her master’s degree from Universität der Künste in Berlin where she studied from 2022 to 2008. Her works have been exhibited at Kommunale Galerie and Haus am Lützowplatz, Berlin, Gewerbemuseum, Winterthur, Halberstadt Biennale, Stephanie Kelly, Dresden. Her work is currently on view at her gallery SCHWARZ CONTEMPORARY in Berlin and at lokal_30 in Warsaw. Outdoor sculptures have been shown at Skulpturenpark Schlosspark Stammheim in Cologne and at Skulpturenpark Eisenberg (AT). Her works will be part of the ruru Haus programme at this year's documenta fifteen (2022). 

Portrait Holger Niehaus_LisaTiemann 2021.jpg


FieneScharp_portrait_01©Christian Manthey.jpeg



Fiene Scharp (born 1984 in Berlin) studied Fine Arts and Literature at the UdK Berlin University of the Arts and the Humboldt University in Berlin. In 2012, she received the UdK President’s Fine Arts Award. She took part in numerous exhibitions in Europe, North America, and Asia, including Museum für Konkrete Kunst, Ingolstadt, Kunstmuseum Stuttgart, Kunsthalle Bremerhaven, London Center for Recent Drawing and Stedelijk Museum 's-Hertogenbosch (NL). Her works are part of public art collections such as Kupferstichkabinett (Museum of Prints and Drawings) of the Berlin State Museums or the Kunstmuseum Stuttgart.
Fiene Scharp has received several awards and grants, including a scholarship from the Else Heiliger Fund of the Konrad Adenauer Foundation and the Stiftung Kunstfonds. She is represented by the gallery Kuckei + Kuckei in Berlin.

Fiene Scharp, Artist Statement:
My work includes repetitive long-term drawings as well as detailed cut paper works and image objects that I regard in the context of the drawing.
The delicate structures hang unframed, in slight movement on the wall, and only stand out from the background through gradual shading.
I transfer two-dimensional raster drawings into three-dimensional space through the process of microscopical cut outs of the spaces in between.
My focus lies of the minimum variance in the repetition.



Astrid Busch (born 1968 in Krefeld) studied at the Academy of Fine Arts in Nuremberg and the Berlin-Weißensee School of Art, where she was master student of Prof. Katharina Grosse. She took part in numerous solo and group exhibitions, including in Germany, France, Russia, the USA, and Brazil. Her works are in public art collections such as Kunststiftung NRW, Düsseldorf; Neuer Berliner Kunstverein and Museum of Technology, Berlin; Museum of Applied Art, Gera, the Artothek in Nuremberg.
Astrid Busch has received numerous awards and grants.
She is represented by the Rupert Pfab gallery in Düsseldorf.

Astrid Busch transforms rooms in their entirety, but takes a gentle and almost reserved approach in doing so. In her site-specific room installations, she combines photographs with a wide variety of materials – from her own images to archive finds. She assembles all of these parts into multimedia and multilayered productions, creating space-consuming works that look like a mosaic, and yet always remain site-specific.





Angela Glajcar (born 1970 in Mainz) studied Sculpture at the Academy of Fine Arts in Nuremberg and was master student of Tim Scott. Yet she soon broke away from classic materials such as steel and wood. Her works, based on the use of white sheets of paper, are unusual and bizarre and striking in their radical purism. (Margareta Sandhofer)
She has received numerous grants and awards such as the Mainz ZONTA Art Prize, the Emy Roeder Award, the Phönix Art Award or the Audience Award of the Regionale in the Wilhelm Hack Museum Ludwigshafen in 2010. Her works took part in solo and group exhibitions at museums, galleries and various cultural venues in Germany, Italy, the USA, and Hong Kong. She also realized several Percent for Art projects.
Angela Glajcar is represented by the Nanna Preußners gallery in Hamburg, among others.

Angela Glajcar creates flowing installations from torn paper webs, which gain a three-dimensional presence through layers and curves. Through the incident light, they develop into bodies that seem to shine from the inside. She tears holes in the middle of the strips, which allow views and depths of perspective in the spatial structure, or lets the straight and clean edges of the paper fray generously in order to expose the internal structure of the material. The interplay of light and shadow transforms the artworks into a multidimensional piece with an atmospheric effect. Contrasts such as lightness and weight, calm and dynamism, beauty and destruction get manifested within.